Gabi’s work engages deeply with bridging the gap between the somatic and the spiritual. She is particularly interested in resisting bodily complacency, which she believes constricts the spirit. Through her practice, she experiments with breaking forms and challenging how we expect things to look or behave. She believes that disrupting form can rearrange the energetic matter of the body—whether through sound, visuals, or somatic leadership—creating a moment of rupture followed by reset.

Her writing practice often incorporates stream-of-consciousness techniques, heavily influenced by Brazilian author Clarice Lispector, alongside methods such as blackout poetry and the collage of documentary materials. Through these processes, she aims to reveal hidden messages that emerge from the alchemy of assembling disparate fragments.

While working with her theater company Aethaus, she has explored contact improvisation and dance theater, increasingly moving toward research-based and devised methodologies. Her work frequently incorporates physical performance, combining spoken word with abstract movement and layered visual imagery.

Through her transdisciplinary studies at the Innovation Studio at NYU Tisch, as well as her study abroad experience in India with Theater Mitu, Gabi has embraced a more expansive and multifaceted artistic practice. She has grown increasingly interested in performance art–influenced theater and film forms that prioritize authentic bodily expression and resist conventional narrative structures. Rather than presenting a fixed plot or predetermined conclusion, her work invites audiences to arrive at their own meanings based on their individual perceptions and associations.

Across mediums, Gabi experiments with how written language, physical expression, and initially illegible visual forms can work together to move audiences out of their bodies and then return them to themselves with greater clarity. The act of assembling meaning from these fragments becomes part of the experience—mirroring the spiritual nature of life itself. Ultimately, her work serves as a reminder that the metaphysical is always accessible.